I'm the Paul for whom bradovka built the 5E3.
First impressions are strictly visual, as you have to look at it to find the power switch. The Cabinet and Tweed are impeccable. The grain on the tweed lines up at the seams and the back panels. I'm in favour of attention to detail, but this is almost over the top. This thing looks great!
As a basis of comparison, I've got a 135 W Twin Reverb, and a Victoria Victorilux with 6L6's and a 15" Emminence Legend. The Twin is all about clean headroom. The Victoria is lighter and easier to carry around. I went with the Victorilux over any other Victoria amp b'cause I wanted reverb and tremelo. As another comparison, Cambridge Ontario Jazz Guitarist Glenn Murch frequently uses a vintage Tweed Deluxe. I've heard him play many times, and I've got a good idea of how the Tweed Deluxe can and should sound with a jazz guitar.
This Trinity Deluxe is
right. It's got the sound that makes sense for what and how I play. Bradovka uses a Tele on the bridge p'up with the Bright inputs and the tone cranked up. I use a Byrdland, on the neck p'up, the darker of the two "normal" inputs, and the tone rolled down on both the amp and the guitar. We both sound good, but I sound "right".
Sadly, bradovka would use this amp for rock and/or roll music.
There are some noises to find. The speaker wire was buzzing against the speaker frame, and there is a rattle in the rectifier tube. This is stuff I hear in a quiet room with the furnace turned off. The speaker wire is a quick fix, and there is nothing I can do with this particular rectifier tube. Neither noise is audible at band practice. Band practice on Sunday morning was a 13 horn, 4 piece rhythm and 2 singers big band. The amp, all 12 to 15 watts of it, was just fine. I had the volume on the amp at about 4-ish, and I was at an appropriate volume the entire time. I never had the sense of playing with a distorted sound.
At home I was turning the amp up a bit more with a 335, and there are some cabinet noises to find and fix. I understand that this is not uncommon. Mark Baier of Victoria Amps told me that he keeps Fender Heavy picks on hand to jam between the back panel and the chassis to quiet some noises.
This 5E3 is very similar in tone to the Victorilux, save the lack of reverb and tremelo, (I miss the tremelo). The tone is clear, rich, and definitely tweed fender. I hope to A/B it with Glenn Murch's '57 Tweed Deluxe. I really like the 15" speaker in the Victorilux. I really like the easy one hand carry weight of the 5E3.
I've only had the amp for less than 50 hours at this point. I'll post again as I become more comfortable with the amp.
Thanks to both bradovka and Stephen for what I am sure will be another "lifetime" amp in the stable.
Questions:
1) I notice that the fuse is on the neutral leg of the incoming mains. Is this common practice? I thought the fuse would be on the "hot" side.
2) I use a matched Phase Inverter on my Twin Reverb. The improvement is
dramatic on that amp. What are the thoughts on a MPI for a 5E3 amp?