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PostPosted: Fri Feb 02, 2007 12:14 pm 
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Hey everyone, for someone who failed grade 12 english I find myself in the ironic position of being the Editor at Large for the newly established Trinity Amps Mag. I have some thoughts I would like to put out there and feel there might be somthing in there for you to.

So, as resident Guitologist, and in the true spirit of not knowing what to write about, I am opening the floor to your suggestions. Any topic related to Trinity amps, Tone, Guitars, Music, Electronics, or Jamaican cooking is fair game. I'll let you know if I don't know or have anything to say (sure!). For now though, I have jotted down a few of my initial ideas. Please let me know what you would like to read.

My inclination is start with article 1. How to dial in your Trinity sIII.

What do y'all think?

Cheers
Larry B. (RG)


1. How to dial in your Trinity 18

2. Trinity 2x12 Cab Review

3. Trinity sIII 6V Review

4. Tone Tubby Alnico Hempcone

5. Tone Tubby Ceramic Hempcone

6. Tone considerations – How to get closer to the Grailtone.

7. FX – I need more!

8. Playing Techniques I Have Stolen Over The Years and How They Effect Tone

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PostPosted: Fri Feb 02, 2007 9:19 pm 
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Sounds like a great starting list.

Add a section with pictures of the cabs, heads and combos showing details of construction and finishes.

List of modifications that builders have made with reviews.

I hope items 1 and 6 will include sugested amp settings and guitar settings (the tone and volume controls are there for a reason).

Pictures of the pros who are using Trinity products and comments from them would be interesting.


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PostPosted: Fri Feb 02, 2007 11:50 pm 
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It's a good and ambitious list. I can do a section on the cabs and we can both try to get the pros to comment.

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PostPosted: Sat Feb 03, 2007 12:18 am 
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I am really liking the 1+6 combo for a lead article.

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PostPosted: Sat Feb 03, 2007 1:00 pm 
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Topics 1 and 6 sound like a great start. There is also the possibility of updates on those topics, so many tones, so many types of guitars, almost endless possibilities.

That is one of my problems, I haven't been playing that long and the permutations possible with just a Les Paul and an SIIIv6 seem staggering.

Stephen, when you get them done, make sure you get pictures of the hardwood cabs for the magazine.

When I get them filled, I'll send you pictures of my rig, both LP's and the completed amp.


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PostPosted: Sun Feb 04, 2007 3:18 pm 
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This is a wonderful idea :D I like all of the initial topics.
You can also include a section for new idea's for well.... anything. Inventions to further the quest for the holy grail. I just changed the terminal strip to a turret terminal strip, it wasn't a magor idea, but it makes the Trinity thast much more different from the rest. Why, because the Trinity amp's deserve only the best. :D.
I truly believe the Trinity amp is the best 18watt on the market and believe eventually the Trinity will be a household name in the music industry. Thank you Stephen. :D


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PostPosted: Sun Feb 04, 2007 3:21 pm 
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Hmm.. On Number 8, you can also include a lesson, to help us (not as developed as you :shock: ) players that are still trying to develop our skills.
Just a thought :)

Wait, this is getting fun, for the speakers, how about , not just the tone tubby's but reviews of all speakers. Which are decent, which aren't.


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PostPosted: Mon Feb 05, 2007 4:02 pm 
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I smell a you boob account coming soon.

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PostPosted: Mon Feb 05, 2007 9:43 pm 
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Ohhh, private lessons, nice :D


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PostPosted: Sun Feb 11, 2007 1:05 pm 
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I have another suggestion for an article, or a series of articles.

Effects pedals, I'm a newby and not to sure what type of stompbox does what or what they really sound like.

Even more importantly, what boxes work well with the various Trinity amps? I think that this would go over really well.


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PostPosted: Sun Feb 11, 2007 4:55 pm 
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Hear! Hear! have to agree. We're virgins here :shock: :lol: :lol:


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PostPosted: Wed Feb 21, 2007 12:45 pm 
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The mag died as fast as it was born? :shock:


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PostPosted: Wed Feb 21, 2007 1:21 pm 
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I hope not, I had another idea for the magazine.

I was thinking about a combination print / audio dictionary of tube amp terms so noowbs (i.e. me) can get an idea what experienced tube amp gurus mean when they use certain terms.

I was thinking maybe a definition or two an issue that gets made a sticky.

So far I've come up with the following:

attack
bloom
boomy
bright
chime
clean (i.e. "Fender clean")
crunch
dark
delay
distortion (power tube)
distortion (preamp tube)
fizz
flubby
harmonics
headroom
loose
reverb (amp)
sag
shimmer
tight
touch sensitive
vibrato (amp)

Like I'm not just making the situation worse.


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PostPosted: Sat Apr 21, 2007 1:34 am 
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The dead horse is dead?
Comon, this really seemed fun,

I'll help I'm sure others will.

Just a thought.
Jac


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PostPosted: Sun Apr 22, 2007 6:11 pm 
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Well, we need to get onto lbet. I am maxed out.

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 Post subject: Not Dead Yet
PostPosted: Sun Apr 22, 2007 10:44 pm 
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The gang at work is working my like a fifty cent nappy headed ho! I promiss I will have something done for this week.

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PostPosted: Mon May 07, 2007 9:44 pm 
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That 50 ct nappy ho must be keeping you very busy :lol: :lol: :lol: :lol: :lol:

Sorry, just couldn't resist. :lol:


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 Post subject: Article 1 - Defenitions
PostPosted: Wed May 09, 2007 3:26 am 
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As per JCNY's suggestion, I have written down a few thoughts regarding some commonly used terms. I haven't cross reference my definitions so lets talk. This will at least get us singing from the same dance card as we continue to share thougts and techniques to get the tone and feel you want.

Attack – How the note begins. Sharp attack like a tele. A smoother attack like a 335 neck pickup.

Bloom – Changes to the way a note sounds after it is picked.

Boomy – An overriding bass quality that, when combined with overdrive, can obscure the treble frequencies making them hard to hear.

Bright – A sound that is possesses lots of treble and or upper mid frequencies is called bright. Fender amps do this very well.

Chime – Chime is the kind of extended treble response in an amps clean tone. When you play a single coil guitar like a strat or a tele through an amp like that you get a bright sound that is not piercing and has some smooth ness to it. There is also a shimmering quality to the tone. The chord at the beginning of “Hard Day’s Nightâ€

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PostPosted: Wed May 09, 2007 12:06 pm 
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Ibet, thanks, that's exactly what I was hoping for :D

Very nice explanations to the terminology so that we all have a common reference point.


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PostPosted: Wed May 09, 2007 12:55 pm 
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Really excellent compilation of Terms. Nice job! I think I may have heard some of those in your studio!

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